Protecting Australian Design History for Future Generations
Corporate Team
Margaux Everett – CEO
Margaux is CEO and Founder of the Australian Museum of Design Pty Ltd. As an experienced Managing Director, database marketing specialist, software architect and lover of everything art and creative, she launched AMoD in 2022 to preserve more than 7,500 original hand-drawn designs by Australian artists from 1960 and beyond.
Emma Brown – Director
Emma Brown stands out as a pivotal figure within the Australian Museum of Design, serving as one of its esteemed Directors. With a robust background in financial services that encompasses accounting, management, relationship building, and governance, she brings a wealth of experience to the table.
Sacha Yasumoto – Creative Director
Studying Japanese and the art of Hanakubari, a traditional floral decoration technique where only natural materials are used to support the flowers. In doing so, she became one of the first Foreign Nationals to graduate to teacher level at Mami Flower Design School in Tokyo with frequent exhibitions.
Monica Wight – Design Director
Monica has a rich background in business development, bringing over eight years of experience working with Tourism Australia and Qantas Vacations in Los Angeles. She’s been instrumental in launching key marketing initiatives like “Where the Bloody Hell are You?” and has successfully managed major events such as G’Day LA & G’Day America, collaborating with high-profile partners like AMEX, YPO, and National Geographic.
Leanne Church – Embroidery Curator Founding Member
Leanne’s roles have been diverse and influential; as a national educator for Machine Embroidery, a technical editor for Australian Machine Embroidery magazines, and a contributor of numerous articles, her commitment to education in her craft is unwavering. Her skills as a Machine Embroidery Digitiser are unparalleled, skilfully transforming everything from basic images to intricate designs for a variety of applications, including high-profile stage and screen productions.
Largest body of Australian designs
Unseen by the public for more than 50 years
There’s nothing like a revival…